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MUNDURUCU · TATTOO CULTURE

Tribal tattoo
designs.

Bold marks. Beautiful patterns.
Stories that go more than skin deep.

Explore the images ↓Discover Mundurucu ↗
Rangui, a chief of Shouraki (Coraki)
Captain Costentenus, the tattooed Albanian with Burmese designs
Wife of a headhunter of Formosa (Taiwan)
Man of the Caroline Islands with a full body tattoo
Tattooed woman of Nuka Hiva, Marquesas Islands
Ainu women
IDENTITY   /   BEAUTY   /   BELONGING24 images · Discover more on Mundurucu →

Every mark tells a story.

A face traced with curves. A body crossed by lines. An animal carried on the skin. Tattoo designs turn the body into a place of identity, beauty and belonging.

Across the world, tattooing has expressed ancestry, status, achievement and spiritual beliefs. A mark might recognise a stage of life, a family connection or an individual history. Its meaning belongs to a particular tradition: a similar shape does not necessarily tell the same story elsewhere.

A nineteenth-century view

“Not one great country can be named, from the polar regions in the north to New Zealand in the south, in which the aborigines do not tattoo themselves. This practice was followed by the Jews of old, and by the ancient Britons. In Africa some of the natives tattoo themselves, but it is a much more common practice to raise protuberances by rubbing salt into incisions made in various parts of the body; and these are considered by the inhabitants of Kordofan and Darfur ‘to be great personal attractions’. In the Arab countries no beauty can be perfect until the cheeks ‘or temples have been gashed’.”

Charles Darwin · The Descent of Man, and Selection in Relation to Sex · 1871, vol. II, p. 339
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Darwin’s passage captures his fascination with the worldwide variety of body ornament. It also combines tattooing with scarification: tattoos place pigment beneath the skin, while scarification creates patterns through healed scars, sometimes raised above the surface. The two can serve related purposes, but they are different practices.

His words reflect nineteenth-century terminology and the travellers’ reports he used. The sweeping claims about whole regions and ancient peoples are historical assertions, rather than a complete account of their traditions. What remains compelling is the idea that beauty can take very different forms—and that a permanent mark can be valued as much as jewellery or clothing.

At Mundurucu, portraits, photographs and pattern drawings bring these differences into view. Māori facial designs, Ainu lip tattoos, Borneo’s tattoo traditions and the geometric patterns of the Pacific each invite a closer look. Historical images preserve remarkable details, while also carrying the perspectives and interpretations of their makers.

These traditions have changed, endured and been revived. Explore the faces and patterns below, then follow each culture link to discover more of its visual history.

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Rangui, a chief of Shouraki (Coraki)

Louis Auguste de Sainson, 1833

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Wife of a headhunter of Formosa (Taiwan)

Walther Leopold Beyer, 1929

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Male leg pattern, Marquesas Islands

Willowdean Chatterson Handy, 1922

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Dayak man with throat tattoo

1961

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Man of the Caroline Islands with a full body tattoo

Hermann Julius Meyer, 1893

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Ainu women

Baron Raimund von Stillfried, 1876

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Tattooed woman of Nuka Hiva, Marquesas Islands

Wilhelm Gottlieb Tilesius von Tilenau, 1813

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Mundurucú warrior with head trophy, Brazil

Spix and Martius, 1823

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Rewi Manga Maniapoto

Gottfried Lindauer, 1882

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Prince Giolo, son of the King of Moangis or Gilolo, Philippine Islands

John Savage, 1692

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Tattooed Samoans

Gustav Mützel, 1886

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Captain Costentenus, the tattooed Albanian with Burmese designs

Ferdinand von Hebra, 1856

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Ainu woman with tattoo marks around the lips and on the hands

David MacRitchie, 1892

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Warrior of the Marquesas

Pannemaker and Lisbet, 1845

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Mundurucú chief

Hercule Florence, 1828

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Beautifully tattooed man from Tahiti

Jacques Grasset de Saint-Sauveur, 1780

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A tattooist at work

1961

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Tattooed chiefs of Nuka Hiva, Marquesas Islands

Victor Marie Félix Danvin, 1836

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Tattooing in Samoa

Louis-Pierre Gaillard, 1896

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Tattooing by Mata-Ora

John White, 1887

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Carbon print of a preserved head

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Beautifully tattooed woman from Tahiti

Jacques Grasset de Saint-Sauveur, 1795

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War costume, Sandwich Islands, Hawaii

Albert Étienne de Montémont, 1835

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Tattooed man of Nuka Hiva, Marquesas Islands

Wilhelm Gottlieb Tilesius von Tilenau, 1804

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TAKE A CLOSER LOOK

There’s more behind every image.

Follow your curiosity. Discover more tattoo designs, portraits and cultures on Mundurucu.

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